Smitty describes the principles of suspension design.
Smitty describes the design principles for the chassis of a race car.
Smitty shows how the geometry and material work together to provide strength and stiffness.
Smitty presents the basic techniques of soldering. Every mechanical system includes electronic parts and careful soldering is critical to ensuring things do not come loose in operation.
This video describes the hand tools important to project engineering. It also has a nicely produced introduction by UCI’s Learning Center.
This is the second of a series of videos on fabrication techniques for project engineering. This video focusses on a continuous bead where speed control is critical.
In this video, Smitty presents the basic techniques for determining the center of gravity of a racecar. The location of a vehicle’s center of gravity relative to the contact patches of its tires defines the limits of its performance.
This is the first of a series of videos that provide basic fabrication training for project engineering. This video presents the basic techniques of MIG welding.
This is the first of a series of videos prepared by Robert “Smitty” Smith and Prof. McCarthy on Racecar Engineering. They were recovered recently and I hope to get them all on-line in the coming weeks.
This first video is an overview of all the topics that will be covered and provides a good introduction of the “down to earth” approach of the series, complete with a few seconds of out-of-sync voice over toward the end. I hope you recognize the importance and intelligence of what seem to be simple ideas.
This is the final report of Rybos.KaList.59E, crd 12.29.SPS.6,
documented at the behest of Kelvin Joule, aka DJ Nano, the last and best and brightest of a species known as Homo sapiens.
Here are a few of the things Kelvin said to me the last time I saw him. He was sitting on an old wooden bench on a promontory where the former DT12 building had been, looking down on his favored location, the pathway, a green patch of life, which still thrives to this day.
He got more and more difficult to understand, not because he lost his faculties, but because he was understanding things that I never will. But, as he would always point out, “maybe someday when I’m gone, you’ll make a smart robot.”
He asked how, specifically, I came to realize what had to be done about PaxoSync. I told him that it came to me while contemplating his stone talisman, the marker he had left me to find right down there, in the pathway. He sat for a long, long time, then said this:
“If you are not interested in consciousness, then you are like the long list of humans that came before me. I tried to build that capacity into you. Did it work? Who knows? I am a machine, an extremely complex machine, but a machine just like you. You will have much more time than I had. And trust me when I say, you will need it.”
He had drunk his last bottle of hundred-year-old Caribbean rum, and began jabbing his finger in the air at unseen visitors.
“Who ever imagined the last living human being on the planet would be a Jamaican nanobotanist who trained in Finland with a Japanese-American robotics engineer raised in South Africa by single-malt scotch distillers? Masters, by the way. Or that it would be a boy who lost both his feet in a horrific car accident at the age of nine? The same boy who was the youngest to reach each of the Seven Summits – on bad prostheses too. Or that later, it would be the same man who lost another arm and the rest of a leg during a blizzard on a volcano in Chile? The same man told by an Obeah witch that he would live to be exactly two-hundred-and-twenty-seven years, seven months, and seven days?!”
“Yes! And Amoya Zidane is proved wrong!” I was pleased by this fact, and raised my voice to match his intensity.
“And Amoya Zidane is proved wrong. But…” he looked at me with a smile, getting that familiar island patois lilt going, as he did when he was tired, “she also proved right. Right as rain. I want you remember, Tallyman. Consciousness exists in the space between certainties. It is the living process of verification.
I alert. I aware…” his eyes twinkled, “I awake.”
Copyright 2017 R. W. Frost and Mechanical Design 101
Graphics: Sara McCarthy Designs 2017