Red Lines, Part 4

By Chris McCarthy


Leo drives the van out of the small parking lot and from this vantage point sees why Jack and his team chose it. It’s well hidden and poorly lit. You could look from the main road and see the hill up to the freeway and think it was a dead end, without seeing the driveway into the small parking lot just before the hill. 

Leo edges out past a stop sign on Main Street and takes a left, following the GPS, on his way to the freeway to head north back to Los Angeles. He wonders why Jack was in Manhattan Beach earlier today. Was he following the man that Leo had killed? What was this larger plan Jack had referenced? And who was the man in the van who ran into another vehicle at the top of the hill? Jack had been sparing in details, but was clear that the only way for Leo to get his life back is to trust Jack and his associates. But still the thought lingered… Should he have run? But then what would happen to his passengers?

Leo notices he’s gripping the wheel tightly and catching his reflection in the mirror, he looks like he’s aged five years in half a day.

Leo looks past his face in the rearview and catches the eye of the girl who looks a year or two older, the mother hen. 

“Where are you from?” He asks.  

She nods at the road ahead. “LA.” She says then drops her eyes. Leo nods. “Are you taking us home?” She asks, looking up again. 

Leo says “I don’t know exactly.” Forcing certainty, he adds, “But I know you’ll be safe there. I’m Leo by the way. What’s your name?”

“Emily.” 

The girl in the seat next to her has brown hair cut into a short bob and large brown eyes. She looks to be about thirteen. 

“How do we know you’re not taking us to Mexico.” The girls with the large brown eyes says. 

Emily, who has decided to trust Leo, turns to the girl and says, “We’re going the opposite direction,” Then she calmly looks out the window. 

Leo drives on the 405 freeway.  A radio buzzes then a channel opens, scratchy and loud, startling Leo. “Get off the freeway.” Leo pulls the black receiver off its hook on the dashboard. He looks at it for a moment then pushes a red button on the side. 

“What? Who is this?” Leo asks. 

“I want you to get off at the next exit. There’s an accident near Hawthorne. I need you to get off the freeway.” The voice says. 

Leo feels goosebumps raise on his arms, again feeling the seriousness of his situation. He looks in the rearview for anything suspicious. Nothing catches his eye. 

A crackle from the radio. Leo pushes the speech button and says, “I’m here. I’m here.”

“I said get off at Artesia.” 

“I’m getting over. I’ll get off right now. Then what do I do?” Leo asks. 

Leo looks behind him and sees a car with a busted headlight. It doesn’t follow him into the far right lane so he relaxes then sees the girl with the brown eyes staring at him in the mirror. She looks scared now for some reason maybe thinking their destination is nearby. He still doesn’t understand how these girls had gotten here. Maybe he’d learn soon. Or if he was lucky maybe he’d be able to leave all of this behind after he finishes this drive. He’d had two chances to get out of this but took neither, not that they were decent options. Once at the house in Santa Ana. And another chance when he could have booked it and gotten lost in the shadows of the back alleys and closed mechanic shops instead of getting into the driver’s seat of this van. 

Self-sabotage is in his DNA he remembers Celia saying. 

“Are you there? I said what do I do then?” Leo says into the radio.  

“I’m here, sorry I was checking with our other car to see if our path is clear. Just focus on driving. This will all be over soon.” 

“Ok…”

“Take a right on Aviation in just over a mile and keep going until I tell you different.”

“Can you at least tell me where we’re going?”

“Just be patient Leo. And don’t speed.” 

“Yeah, I got it. Don’t speed.” Leo says, shaking his head.

Leo turns right on Aviation Blvd, a seven mile thoroughfare stretching north to south from the city Westchester to the South Bay Area of Los Angeles, which includes Hermosa and Redondo beach.

After following a few more directions from the man on the radio, Leo turns left on Manchester street right after the airport. He drives through the middle class neighborhood and, following the man’s instructions, pulls into a small parking lot between a cul-de-sac of small one-story homes and before a large warehouse. There are about five small storage units with sliding steel doors. He pulls in and one of the storage unit doors opens and a man holding a walkie-talkie ducks his head under the opening sliding door and walks out. He waves Leo inside, his eyes scanning everywhere but the van. 

One of the girls in the back seat sniffles and the mother hen comforts her. The brown eyed girl has her head raised looking out the windows trying to gather any information she can about their location. She’s not getting much. Leo hears murmurs from the other four girls further back in the van.  

“It’s ok.” Leo says. “I think you’re safe now.” 

“But you don’t know,” Emily, the mother hen, says as she reaches over and combs her fingers through the brown-eyed girl’s hair.

The headlights blast against the back wall of the small twenty square foot storage unit, which is empty except for random scraps of things presumably stored by people over the years. A piece of coiled rope. A few cardboard boxes broken down and set against the right side of the unit. An old tire with a gash in it leaning against the wall. A single light bulb hangs down from the center of the ceiling. Leo pulls to a stop three feet in front of the back wall, the light bulb just grazing the top of the van, causing light to bounce around the unit. 

The man with the radio walks up along the driver’s side of the van and taps the door. Leo searches his face for what he’s trying to get across but the man is looking at the back wall. Leo follows his eyes and watches as the concrete wall slides open with the ease of a metal gate on wheels fencing off a driveway. Only he sees no wheels or other apparatus. The illusion is seamless. It just looks like a concrete slab sliding over to expose an opening in the wall.

The man taps the door again and this time looks at Leo and points at the window. It takes Leo a moment to find the window button to roll it down. 

“Drive,” the man says. 

Leo recognizes the voice as the one he heard over the radio. The man waves him forward and Leo pulls the steering wheel lever down a notch, putting the car back in drive. He drives down a small ramp then at the bottom turns left into a large well-lit…facility would be the best way to describe it. 

Two men walk out from either side. One of them carries a pistol in his hand, held low at his side, presumably to not spook anyone. The other holds a hand up, indicating he wants Leo to stop. Leo stops the car, the only sound in the car his breathing and assorted sniffles and movements from the girls behind him. The low hum of the motor has an eerily reassuring quality to it. 

The unarmed man walks to the side of the van and opens the sliding door. Leo looks over his shoulder and sees that two women have appeared from somewhere behind the van. They talk to the girls in hushed, reassuring tones.  

The armed man’s eyes are alert, searching every inch of the van. Leo hears a slight thud and realizes the wall up the ramp has closed. The man with the radio jogs down it and joins the women at the open van door. 

He looks in, scanning each the girl’s faces as the women help them out. One of the women moves her eyes over the faces and bodies of the girls with the searching eyes of a physician then leads the girls over to one corner of the room where there are some chairs, iPads, blankets, cots and a tent. The man with the radio looks at the woman. She nods her head. 

He turns away from the van and speaks into his radio with an air of military efficiency. “She’s here. We have her.” 

The armed man nods to Leo to get out of the car just as the man with the radio walks around to the driver’s side and opens Leo’s door. 

“So who the fuck are you?” He asks. Leo looks around the large sterile room, which resembles an empty floor of a parking structure, and sees three more capable-looking men, most likely armed discreetly. 

A man dressed in business casual attire walks up at a fast clip, looking down at a phone laying flat in his palm. He gets to the two men and holds it out. 

The man with the radio puts his radio on his belt, an annoyed look on his face. 

“It’s for you.” He says. After another second, he takes the phone out of the other man’s hand and holds it out for Leo to see. Leo looks at the phone. It’s a video call. 

“Leo? Are you Leo?” The man in the video says. 

“Yes. I’m Leo.”

“Thank you for your help.” The man says, sincerely. Behind him Leo notices a painting on the wall and a bureau. Leo can just see the tops of photo frames and imagines the man sitting in the dining room of an expensive home. 

“You’re welcome. Who are you?”

“Just a guy trying to help. Like you. I just wanted to say thank you. We don’t have a lot of time. Mike will tell you next steps. I have to go. Thank you, Leo.”  

Leo looks over and sees the two women are helping the girls, now clad in clean sweatshirts and blankets, get into two small odd-looking cars. It takes him a second to realize they’re the carts baggage handlers drive on the tarmac as they load and unload bags into planes. 

Leo feels a deep chill in the air. 

“Are we…under the airport?” Leo asks. 

Mike takes back his phone and nods. “We’ll have time to talk on the flight.” 

Mike takes in the look on Leo’s face and says, “There’s nowhere else for you to go. You need to stay with us for your own safety.” 

“What do you mean? Can’t I go back home now? I thought everything was…cleaned. Like the scene and everything…Jack told me…”

“Jack?” Mike says. 

The man takes a deep breath and looks closely at Leo. Too closely Leo thinks, as if he recognizes him. Mike types into his phone.

“This came out six minutes ago. You’re on the news.” Mike says, holding out the phone for Leo to see. 

Leo looks at the ABC News article and sees his face staring back at him. He recognizes the photo from an Instagram post from six months ago. 

He watches the first cart drive away. The second one idles. 

“We have to go,” Mike says, indicating the cart. He holds his hands out. 

Leo looks around the room and realizes everyone else has left. He looks at the cart idling on one side of the room and now realizes there’s an opening on the far side. It was so quiet opening that Leo didn’t realize that’s where the sudden burst of cold originated.

“Where are we going? When are we coming back?” Leo asks.  

“Coming back? Leo, you’re wanted for murder.” Mike says. 

A BRRRAT-A-TAT in the distance. BRRRAT-A-TAT. Mike looks to the ramp. Leo takes a millisecond longer. It’s a burst of gunfire. 

Then a SCREECH of tires echoes across the room. 

“Shit! Get in the cart!” Mike yells. He runs toward the cart. Leo freezes as he sees the blacked out late-model suburban tear down the ramp and make a hairpin turn, tires screaming, into the room. It takes a moment for the large vehicle to orient itself correctly, but Leo sees a large weapon hanging out the passenger side window. He runs toward the cart just as Mike falls to the ground, face-first, his head bouncing off the concrete. It’s then that he hears the BRRRAT of the semiautomatic weapon. Leo does a one-eighty and dives behind a concrete pillar supporting the ramp entrance. 

The cart drives away and Leo feels all hope leave his body. But then it slams grate-first into the wall and the driver slips out of the front seat, the back part of his skull imploded from a well-aimed round, and his torso oozing blood. He was dead before he even turned back to look at the suburban. 

Pushing himself as far as he will go into the concrete and shaking uncontrollably, Leo pulls out his phone to dial…someone. 911? But isn’t he being hunted by the police? His mom? But what can she do from San Jose? 

As he looks at his phone, a text pops up from Celia. I saw you ON THE NEWS! I think it’s my fault!

Then another one. I’m so sorry. But please turn yourself in, Leo!

The phone drops out of his hand and falls on the concrete. He reaches to the back of his waistband, but the pistol Jack had given him is still in the van. 

He hears the suburban doors open. 


Copyright Chris McCarthy and MDA Press, 2024, Graphics by Chris McCarthy with Imagen3.

Exponential Threat, Part 4

By Chris McCarthy


CRAACK. Another fist pounds into the door, leaving another huge indentation. Lisa looks at the marks in the steel door and her mouth drops. She looks at Ambassador Trong with a look of disgust. 

“You had him kill the magno-puppy?” Lisa asks.

“Yeah. I did.” Trong responds. “Do you have any idea how dangerous those magno-puppies are? How big they get? Besides puppy is a misnomer—they’re more like bears. There’s no place for those beasts on planet Tumis.” 

Lisa looks at Winston. “It’s all my fault. That innocent creature is dead because of me.”

“Well, we can’t do anything about it now. Besides I’m the idiot who helped you catch it. It’s not all on you.” Winston says.

“Guys, enough. Open the door, Sal,” Amanda says. 

“What do you mean open the door?” Salamander looks from the door back to her. 

“I mean, open the door. Like I just said.” Amanda responds, walking over to the door. 

“Fine.” Salamander says. “Why delay our inevitable gruesome deaths, right?”

Salamander taps a button on the command interface screen. The door at the back of the bridge slides open. On the other side is a hulking half man, half mechanical monstrosity. He has a powerful titanium exoskeleton frame grafted onto his muscular body, with pulsing bright blue energy lines pulsing visibly between the seams. One arm is an interchangeable weapons system that in its current form identifies as a sleek plasma cannon, softly humming with power. One eye can flip around revealing a powerful laser. He’s just under seven feet tall and weighs four hundred pounds. 

“Holy sh…” Salamander says just before he passes out, falling to the floor of the bridge with an echoing thud. 

Amanda tries to turn her head away from the blue-hued monstrosity but can’t tear her eyes away. She just ends up turning her head slightly in Lisa’s direction. “Help him, Lisa.” 

Lisa looks from Amanda to their giant visitor, speechless, then over to Salamander. “O…K.” She walks over to Salamander and takes a knee, gently slapping his cheek to wake him up.

Winston looks at his hand. Whatever he did with the blue energy stream earlier, he can no longer do. He says, “Well, I guess this is it, everybody. Really wish I hadn’t helped Lisa steal that mango-puppy because now Ambassador Trong is going to have this biomechanical freakshow kills us all.”

“That’s rich coming for a metal head like you.” Trong says. 

“Hey don’t call him metal head, you anti-mech bio-traditionalist. Like you’re not going to seek augmentation when you get old and ugly. Or I should say uglier.” Lisa says. 

Winston continues to himself, “Why do you always try to impress the wrong women? Three hundred years old, eleven marriages, and you still make the same mistakes. I should have just stayed out of it.”

This hits Lisa. “Excuse me? Stay out of it? Catching mango-puppies was your idea. How convenient for you to forget that now.” She points at the biomechanical monster in the doorway.  

Amanda puts a hand on Trong’s shoulder, “Man, he looks like he took a nosedive off the ugly tree and hit every branch on the way down before landing in a pool of, well, ugly. I mean, talk about darkening a doorway, jeez. This guy’s probably in the dictionary for that term.” 

“I don’t think they have terms in the dictionary. Just words right?” Maritha asks. 

“Will you shut up, Maritha?” Trong says. 

“Wow, you let him talk to you like that? You wave flags for this guy?” Amanda asks. 

Winston walks up to Lisa, “But the way, I’m no longer in love with you.”

“What?” Lisa says. 

“I’m not sure I was ever really in love with you.”

“Great, thanks for that. I’m gonna lose so much sleep over this realization. I would NEVER date you. Just fyi. But you don’t care anymore so that’s great.” Lisa says, with a pettiness that shocks even Amanda. 

Winston continues. “I think I’ve just been trying to prove to myself that I’m…still a human. Then, for a moment, having otherworldly power and shooting blue laser beams out of my hands, I thought I’d transcended my hybrid nature becoming something more. But that was just a fluke. I have to come to terms with the fact I’m neither human or machine. And that proof is standing in the doorway.”

Lisa takes in Winston’s admission and looks over at the blue mech in the doorway, her eyes following the blue pulses of energy in the cracks of his titanium frame. 



Chase, who has been sitting this whole time, stands up and turns around to face the doorway. He jumps back. “Jesus!” 

Chase gathers himself and nods at Trong. “What’s with death incarnate over here. And why is he just standing there. Is he waiting to be invited inside?” He looks at the mechanically augmented man standing the doorway. “Hey, God’s mistake, are you a vampire?” 

“No, he’s not a vampire. His name is Olg. He’s a terrifying specimen who’s going to kill all of you.” Trong then turns to the mech, embarrassed. “Come inside.” He waves him in dismissively. 

“Olg?” Chase says. “That is the dumbest name I’ve ever heard. Other than Trong, of course.” 

The crew laughs at this joke, making Trong uncomfortable. 

“Guess they modified everything but the brain, huh?” Amanda says. The laughter continues.  

“Looks like he doesn’t understand English? I’m not fluent in dumb, otherwise I’d see if that worked.” Salamander says.

The crew is in tears, including Amanda, who laughs so hard she leans on the wall for support. They’re tee-ing off on Trong and his associate. 

“It’s called gallows humor, Trong. Feel free to laugh with us. Release the tension. It’s stressful murdering a whole crew of innocent people, isn’t it?” Chase says. 

“I said you can come in, Olg!” Trong says.

“I said you can come in Olg!” Lisa repeats in a mock-serious voice, to everyone’s uproarious laughter. 

Olg takes a few steps inside the door. His arm cannon whirs and lights up a brighter blue. His eyes turn red and get larger.

“What is your command Ambassador Trong?” Olg says, his voice so terrifyingly low that it seems to shake the room. 

The crew get so silent you could hear a pin drop. Trong smirks. 

“Kill them all.” Trong says. 

Amanda stands frozen. “I guess this is it.”

Then Chase takes a knee. “Here boy.” 

Olg looks at him curiously, his arm cannon raising up to Chase’s chest level. Then suddenly, Olg gets on all fours, running around and bouncing off walls and consoles and the viewport. Amanda and the crew look on, in confusion. 

Chase watches Olg bout around the bridge. “Trongy, did you know that magno in magno-puppy is actually short for magno-morph?”

“Magno-morph? What does that mean?” Trong looks around, lost. “Maritha, what does that mean? What does that mean?”

Winston touches his temple then whispers in Amanda’s ear. 

“It means these animals can turn into any other creature they see, a defense mechanism they can access if they are in enough danger.” Amanda says.

“No. No, that can’t be…” Trong says. 

“Salamander, get us out of here. Go back to wide orbit. We’re leaving.” Amanda says. 

“God you’re good at leading, Amanda.” Salamander says. 

“Keep that kind of fawning inside Salamander, but I appreciate it.” Amanda says. 

Sal runs over to the front of the bridge and hops into his seat and hits a few buttons for new coordinates. 

“Lisa, can you chart a safe course out of here? I want to make sure those ionospheric disturbances don’t cause any more problems for us on our way out.” Salamander says.

“Look at you, Sal!” Winston says. 

“On it.” Lisa jumps into her chair, hopping over Liam’s body on the floor of the bridge. She activates her holoscreen, which pops out in front of her face. She looks at it. “Everything looks good, Sal. Just a couple of quick modifications to the flight plan and we’re good to go. Initiating now.” 

“So you’re saying…that’s the…” says Trong. 

“Oh yeah, you’re still here.” Amanda says. “Yeah. That’s our magno-puppy. To be honest I thought he’d kill and eat us all, but it seems like he’s… a part of this messed up family.”

“I don’t buy it. You must have hacked into his system somehow.” Trong says. 

Then Olg transforms into the magno-puppy, his body shaking, the metal exoskeleton seamlessly being replaced by hair. Back on all fours now, he sticks his tongue out and runs over to Chase, who reaches down and ruffles the dog’s face fur with both hands.

“Who’s a good boy? Oh…yes…that’s my good boy. Wait…” Chase looks between the animal’s legs a bit closer. “Who’s a good girl? That’s my good girl.” 

Lisa runs over to the five foot tall puppy. “I’m so glad you’re alive!” The puppy turns to her and starts licking her face. 

“Oh, you’re so sweet. Yes, give me all those kisses…Wait, is that? Is that…?” Lisa asks. 

“It’s blood,” Amanda says. 

“Ewww.” Lisa blinks both eyes quickly and her holoscreen pops up, already with a front facing camera feed running live. She looks into it at her face and wipes the blood from her lips and nose. “That is so disgusting…” She turns to the puppy who stands back from her, chastised. “You’re lucky you’re so cute.” 

The huge bear-like puppy spins around in excited circles then runs to Salamander and jumps in his arms, knocking him down to the ground. 

Trong takes in the scene. “What is…happening?”

Chase says, “The figs.” 

“Huh?” Trong says.

“When you and your retinue were boarding, I went down to check on our little…our huge… gal to make sure she was secure down in the brig—and to fuck with you by not being there for that fucking song and dance reception bullshit. Anyways, he was curled up in a corner. Turns out the gal had a ridiculous case of gas since we’d been feeding her popcorn for six days straight. Note to the crew—popcorn is not good for puppies. Anyways, I gave her some Parthian figs and won her over.” Chase says.

“And that’s when your freak of nature science project showed up at the ventral airlock—you thought you were being so slick, sneaking him aboard through another entrance while the crew was distracted on the bridge getting ready for receive you,” Chase continues, pacing away from Trong. He turns on his heels, the detective delivering his final blow. “But unluckily for you, our puppy, having had some of the figs, had gotten her appetite back.” 

Chase looks over at the puppy. “Isn’t that right, girl?” The puppy jumps down from Salamander’s chest and runs full speed back to Chase, who falls to the floor with her and rolls around. 

Trong shakes his head. “I’m not sure I’m catching the logic. She ate him…then became him?”

Amanda jumps in. “I think what he’s trying to say, Trong my good man, is that your human specter of death scared our puppy so much that his defense mechanisms kicked in and he morphed into a carbon copy. Then, spurred on by the taste of figs, he ate your man.” 

“So did he eat my man when he was a dog or did he eat him after he looked exactly like him…I’m just trying to get the picture here.” Trong says. 

“Don’t think too hard about it. It’s something I’ll never unsee if that helps.” Chase says. “Hey crew, I’m thinking we name him…Olg.”

The crew all nod and agree. “Excellent idea,” says Lisa.

Trong shakes his head, resigned and annoyed. 

“Well, isn’t this a…very strange and dysfunctional domestic picture. I think it’s time we took our leave…Maritha, what are you doing? Do not play with the creature.” 

Maritha is down on one knee waving her flags at the puppy. She looks up at Trong. “Oh come on, Trong. She’s so cute. Why can’t we ever have fun when you’re around?” 

“That’s Ambassador Trong or sir to you, Maritha. You insolent…” Trong says. 

Maritha stands up, “Ambassador? Are you sure about that?”

Trong takes a step forward. “Of course I’m sure… What do you…?” 

“Well, you’ve lost your entire retinue… And by Legion dictates, that means you have to relinquish your title.” Maritha says. “You’ve lost your people’s faith.”

“But, you’re still here, Maritha. I still have you. You’re on my side, right?” Trong says. 

“Nope. I don’t like you.” Maritha says. 

Amanda covers her mouth to try to hide her laughter. “Hah!” 

Amanda’s crew all cheer as Trong loses his last supplicant. He looks totally alone standing on one side of the bridge. 

Amanda walks over to Edwin and puts her hand on his shoulder. “Edwin, things just arent’t working out for you are they? Is this how you thought our reunion would go?” 

“No—hey, look, everyone. I think we started off on the wrong foot. Let’s reset.” He turns to Amanda and walks toward her, both arms extended. “Amanda, so good to see you!”

Amanda backs up and pushes Trong’s arms away. “Are you delusional? You were about to kill us.”

“Yeah, how are we supposed to get past that?” Chase asks. “Look, I see you sort of as a distant step-son, re your mom, of course, and…”

“What does that mean? RE your mom? I don’t understand…” Trong says. 

Chase looks around the room, then at Amanda, who puts her face in her hands. Her father’s infidelities are no secret to her. But Chase quickly tries to cover. 

“Nothing. Sorry—I just mean I like you a lot kid. I remember driving you and Mandy to school. You were always nice, just a bit clueless. But now it’s time to take the hint.” Chase says. 

“What’s the hint?” Trong asks. 

“Oh, that the puppy is going to eat you.” Winston says, as the puppy licks his face. 

Trong runs to the hallway exit, but it slides shuts just before he gets there. He looks over at Salamander. 

Salamander looks to the rest of the crew. “That’s the coldest thing I’ve ever done.” 

“Hell yeah, greenie.” Chase says, proud of Salamander’s assertive move. 

“Look at us,” Amanda says, looking around the bridge at the faces of her crew, a proud look on her face. “Coming together, like a real spaceship crew, over a thirst for vengeful blood. I could almost…No, I’m not going to do it. I’m not going to cry.” 

Lisa looks on empathetically. “Oh my gosh. Don’t cry, sis.” She walks over and hugs Amanda, moved by her emotional response. “I feel like we’ve gotten so close.” Both women hold back their tears. 

“What…the fuck…” Trong says, walking backwards to the wall, trying to keep distance between himself and the crew who seemed so ragtag a few moments ago but now seem to revel in a sudden bloodthirsty confidence. 

Trong trips on the foot of Lisa’s station. He trips but regains his footing and falls slightly against the back wall of the bridge, his face slamming against the aft viewport. 

The huge puppy takes several heavy steps and bares his teeth at Trong. 

Trong gulps. 


Chase and Amanda sit on the bridge. 

She’s in the captain’s chair and he’s in Salamander’s. The rest of the crew sit in a circle behind them playing with Olg. 

“You know, when I was young, my dream was to work as a crew member on your ship.” Amanda says. “I mean, before…”

Chase turns to her. “Before everything went to shit?” 

Amanda nods affirmatively.

“By went to shit, do you mean your two decades long campaign of drinking and womanizing yourself through the galaxy while leaving me and mom behind?” 

Chase looks at her, unsure how to take this, and for once has no words. Then Amanda cracks a half-smile and shakes her head.

“Well, I guess we’re here now. And maybe we can make the best of it.” Chase continues. 

Amanda smiles. Twelve years into her career as a ship captain in the Legion, she’s intimately familiar with the punishing toll the job takes on people and can see her father better than she ever could before. 

“Do you think we were too hard on him?” Amanda asks.

“Who?” Chase is genuinely confused. “Oh…him.” 

He looks out the viewport and angles his head down a few degree to look at the bow of the ship. Wearing a white thermasuit and pressurized helmet, Trong is attached to the front of the ship. 

“I mean, he’ll be fine as long as we don’t go too fast.” Chase says, leaning back in his chair. 

“That’s what I was thinking,” Amanda says.” 

Amanda smiles, enjoying the moment with her father. 


Copyright Chris McCarthy and MDA Press, 2024, Graphics by Chris McCarthy with Imagen3.

Exponential Threat, Part 3

By Chris McCarthy


Lisa looks on curiously as Winston stares at the blue glow emitting from his right hand.

They lock eyes and Lisa tilts her head slightly. Winston registers that she’s asking him if he’s going to do something. He looks at Ambassador Trong and his two henchmen and a chastised Maritha holding her ridiculous ribbons down at her side, then back at Lisa. He hides his hand behind his back and shakes his head, unsure.

Amanda takes a step toward Trong, who sits in the captain’s chair facing the inside of the bridge. 

“Edwin…” she says. 

“It’s ambassador Trong,” says Trong.

“Right,” says Amanda, taking another step forward, “Ambassador Trong. Let’s leave my crew out of this.” 

“Amanda, every single person—and half person and whatever the green guy would call himself—is guilty of transport of an illegal species. Why would I do you of all people any favors?” 

Amanda looks around the bridge. Everyone watches silently, Trong’s people waiting for a signal to take action, and Amanda’s people waiting for a sign of hope. 

“Why don’t you just take me in and let my crew continue on with their mission?” Amanda asks, her anxiety making its way into the pitch of her voice. “I don’t think Admiral Flake would…”

“Admiral Flake—hah!” Trong spits the words out. “Admiral Flake is as corrupt as they come. He has no authority over me. His splinter of the IL is on the chopping block. He’s from unlanded stock.”

“Whatever. I don’t care about politics… Look, just lock me up and throw away the key,” Amanda says, “Let my crew and my father go. I’m the one you want, right?” 

Trong stands up and gets in Amanda’s face. “What I want is my birthright! I want my planet back. Can you give that back to me, Amanda?” 

“Look…” Amanda says, stepping back but wearing a contrite look on her face. 

“I didn’t think so!” Trong yells.

Chase takes a step forward, “I think I can help here…”

“Sit down,” says Trong, pointing at him derisively. 

The ship passes through a particularly bright pink ionospheric aurora. As they do, the ship quivers noticeably, the Cardanian steel frame vibrating to the touch even on the interior of the ship. 

“Is that normal?” Chase asks, looking around at the wall and the ceiling of the bridge. 

“Aren’t they just light curtains?” Salamander asks, looking at the light displays as they hit a patch of green. 

Maritha looks out the viewport, “Happens all the time. It’s just an electromagnetic pocket. Sturgis, look at these novices. What are you guys like a local inter-moon transport ship or something?” 

“Yeah, they were. Until I showed up.” Chase says. 

Amanda gives him a tight smile, “Us showing up is the best thing that ever happened to you.” 

“The best thing that ever happened to me? You blew up my home and almost killed me.”

“Yet, here you are. You got off easy.” Says Amanda, turning to look out the viewport and taking a step back when she sees how intense the pink aurora has become.

“I become part of the crew and suddenly we’re all bounty hunters,” Chase says, gliding his hand through the air, indicating each member of the crew. 

“Wow.” Says Maritha, taking in the father-daughter dynamic. 

“I said sit down, Chase! And everyone shut up.” Trong says, taking a step forward. “Guys.”

Liam and Sturgis snap-to and grab Chase by either arm and sit him down at Winston’s station in the center of the bridge. 

“Easy, guys. We’re all on the same team here.” Chase says just before they slam him into the seat. 

He looks around at Winston’s console and notices the neural dock headpiece, then he looks up and instinctively pulls his head back as Liam pushes his blue chryo-blade in his face. 

The sharp energized blade hums as Liam gently but threateningly waves it in front of his face. Looking past the knife to the other side of the bridge, Chase notices Winston surreptitiously looking down at his glowing hand.

“I mean, we’re not on the same team, obviously,” Chase continues. “But it’s just something you say, you know what I mean? Maybe you don’t. You don’t seem so bright. He’s the one who does all the thinking huh?” Chase says, nodding at Sturgis. “Since he’s a computer. Best thing to happen to dumb guys right?”

“Hey, I’m holding a knife in your face.” Liam says, holding his face close. 

“Good lord. You need to loosen your trade restrictions, because legalizing gum would help you people out a lot. Your breath could kill a small animal. Maybe not a fully healthy one. But one that’s already injured or sick in some way. One breath from you would just be the final straw. What a way to go. Death by breath.” Chase says, turning his head away from Liam.

Liam pushes the knife right against Chase’s neck, “You insolent, past-his-prime, old…” 

“Owww.” Chase says, grimacing in pain. “Thanks…I forgot… to shave… this morning.” 

“Hey—stop that!” Amanda says.

“Enough!” Trong walks over to Chase’s seat and holds a finger in Liam’s face. “Don’t let your prisoner get your goat.” 

“Sorry, Sir. I’ll do better.” Liam says, pulling the knife off Chase’s neck. 

Salamander looks over at Winston and Lisa and notices Winston’s glowing hand. 

“Shhh,” Winston says. Salamander also notices that Lisa has taken the comm off her belt and holds it so the sharp angular side shows between her pointer and middle fingers. 

Salamander looks nervous and whispers, “Are we actually doing this? Ok, I can do this. Can I do this? This is exciting, right?” 

“Keep it down,” Lisa says.

Salamander glances at the display on the viewport. “Wait a minute…when they boarded, the ship prepped life support for five life-forms.” 

Lisa scans the bridge, “I only see…four.”

Winston, “So, what does that—?”

Amanda looks over at Salamander and the crew, “What?” She waves her hand dismissively for them to stop talking.

Chase slams the neural dock headpiece into Liam’s face. He drops the chryo-blade and falls back, clutching his face. “Aaaah. You son of a…” 

Trong takes a step back as Sturgis runs up to Chase’s seat, eyeing Trong for his command, as his eyes turn an even brighter shade of green. Trong nods to Sturgis and says, “Might as well kill him first.” 

“Why did you guys all just stand there? Wasn’t that a signal?” Chase asks. 

“No. That wasn’t a signal. I was waving my hand derisively at my crew like I always do. Why are you always jumping the gun? It might help to think things through once in a while, Chase.” Amanda replies.  

“What is it with all of this talking?” Trong asks. “It’s like you think I don’t have full control of your ship. Maybe I need to show you that I’m serious.” He looks straight at Amanda. “Liam, kill Chase.” 

Liam smiles and looks over at Sturgis, who laughs giddily. “With pleasure,” he says as he swings his knife through the air. The knife turns into a long sword with two handles, which Liam now wields with considerable skill, windmilling it around in the air, the blade hissing loudly as it cuts through the condensation in the air. 

“Wait, Trong, can we talk about this?” Amanda says, terrified. 

Chase gulps as Liam swings the sword. 

Trong looks at Liam, “What are you waiting for?”

Liam pulls the sword back with both hands and starts to swing. 

Chase closes his eyes. Then suddenly feels something heavy in his lap. He looks down surprised to see it’s Liam. 

The ship quakes again and everyone shuffles a bit to maintain their footing. The quake knocks Liam’s lifeless body off of Chase’s lap onto the floor. 

“What the…” Chase says in confusion. 

Then he looks up and sees Winston holding out his arm, a blue electric field encircling his extended hand. 

“Oh my god, Winston,” says Lisa. “You’re like…powerful.”

“Sturgis!” Trong says, backing away into the wall behind him. 

Sturgis looks from Liam to Winston with disbelief in his eyes, which have now turned an even brighter shade of green. 

Winston confidently steps toward Sturgis. He holds out his hand dramatically and… nothing happens. He does it again. 

Nothing. He smiles nervously. 

“Oh we’re no longer in the EM pocket,” says Maritha. “Clearly, the rapid-conversion circuitry in your arm, coupled with reinforced biological tissue to withstand energy transmission enabled you to transform the electromagnetic flux into directed energy. But now that you have no excess energy to pull from, you’re essentially an empty well.” 

She looks around the bridge as everyone is surprised at her explanation. 

“I’m a cybernetic interface researcher and plasma physicist.” Maritha says. 

“What, you thought she just waved flags around all day?” Trong says. “My girl’s wicked smart. She’s the one who made Sturgis what he is today.” 

Amanda looks from Trong to his murderous cyborg and his brilliant pageant guard and reads the looks on her crew’s faces. And for the first time senses impending doom. 

Winston looks out at his arm and extended hand and drops it to his side. 

Sturgis chuckles and shakes his head then locks eyes with Winston. Oddly, Winston can’t look away and he starts to sweat. A vein in his temple bulges blue. He can’t move his eyes away from Sturgis’ gaze as he grimaces in agony. Sturgis takes another step forward. 

Amanda look on helplessly. 

“Ambassador Trong, please stop. He’s hurting him.” Lisa says.

“Oh no. He’s killing him.” Trong says.

THUD THUD THUD. Heavy footsteps reverberate down the hallway.

“What’s that?” Salamander asks. 

Trong smirks. “That’s one of my men.”

“It’s the fifth one the life support system detected when they boarded.” Salamander says, looking at the display. He double takes then looks closer. He toggles to the camera feed just above the door in the hallway. 

“Oh shit. It’s a Biomech Executioner.”

Salamander pulls a holoscreen copy of the display off with a swipe of his finger and spins it around for Amanda to see. The video feed shows a huge hulking man. One gigantic hand wields a battering ram and the other hand isn’t there. In its place is an arm cannon, with multiple segmented plates, which can slide and realign, revealing different weapon configurations from a focused plasma lance to wide-dispersion energy cannon.

“Oh come on!” Says Amanda.

“Yeah. Can you say overkill?” Chase says.

“You brought an Executioner with you

“We had him enter the ventral side of the ship at the same time we boarded the port. Sent him straight to the brig, where I knew you’d have that magno-monster.” Trong bites a nail then examines his finger. “He killed it immediately. Now he’s going to come up here and finish the job.”

There’s a final THUD in the hallway. Then the sound of a metallic arm smashing against the door. It leaves and indentation.

“Ok, now we’re definitely all dead,” Salamander says. 

Winston tries to eek out a word but can’t say anything. 


Copyright Chris McCarthy and MDA Press, 2024, Graphics by Chris McCarthy with Imagen3.

Red Lines, Part 3

By Chris McCarthy


Leo feels the cold of the kitchen down in his bones as he looks up at the large Russian man standing above him. Despite his fear, he looks directly down the barrel of the gun then down at the floor. It doesn’t feel how he thought it would feel. It doesn’t feel like anything. In that moment, Leo realizes that his emotions aren’t him. He’s something else. He’s the thing observing the emotions. The emotions are warnings, indicators that he can observe and decide how to respond to with the part of himself that watches from behind. The part that’s actually him. The irony that these thoughts appear as his body succumbs to acute anaphylactic shock and he’s losing control of his motor functions, shaking uncontrollably, and his tongue is rolling back into his mouth down his throat is not lost on him. 

The things you learn at gunpoint. 

The Russian takes another step forward and presses the gun into the center of Leo’s forehead. But he can’t feel the cold of the metal. He only feels the pressure because his forehead feels thick as if there are layers of cotton between his skin and the barrel of the gun. Then Leo sees the grotesque image of a large knife blade exiting through the front of the Russian’s stomach on the right side. The Russian turns around, but the cop, with a surprising burst of energy pulls the knife out of the man’s back and slides it across his neck, in a soft supple motion. It seems to be done with such light pressure that surely it hasn’t done any harm. But then the black red hairline of the cut appears and a curtain of blood cascades down the man’s neck, his shirt almost immediately soaked with blood. Just as the man’s eyes register what’s happening, he expires, leaving behind an odd look of surprise on his face after it follows his body and slams to the floor. The cop drops the knife to the floor with a clang. He hobbles over and leans on the counter, breathing heavily, blood around his mouth. 

That’s when the girl runs into the room and says, “Help me untie the rest of the girls. We need to get out of here. The mean one will be back any minute now.” 

The cop looks at Leo. “What’s wrong with you?”

Leo hears himself trying to say… something.

The cop takes another two breaths, gathering himself, then pulls Leo’s shoulder forward, trying to get his arm around his neck. Then Leo’s feet feel like bricks dangling on lengths of rope and it’s all black again. 

Leo’s vision comes and goes. He sees something bright—perhaps the moon. Does he see clouds? He thinks he’s outside, and he’s moving. It’s so cold. There’s a high-pitched worried girl’s voice somewhere on the periphery of his awareness. The edges of his vision cloud and uncloud. 

Then Leo feels something pushing on his back and head. It’s the hard leather of the backseat of the police car. Then, a sharp jolt in his thigh. Leo is now cognizant that his hands are at his throat, desperate to somehow coax a breath through. But he can feel them again. And just like that he breathes in, the cool air going down his throat. His chest and neck muscles relax as his stomach now contracts pulling the cool, life-giving air inside. The whispered voices now become clear as he snaps back. 

The car starts. He sits himself up, leaning his shoulder against the door, and sees three girls around twelve or thirteen years old scrunched together into the seat next to him.  He looks forward and sees another two girls in the front passenger seat. 

He hears something but it’s unclear. Then he realizes the cop is talking to him. “We thought we lost you.” 

To Leo’s left, the three girls sitting there are entangled, holding each other close, one of them, who seems to be a year or two older, comforts the other two, one of whom balls silently. Leo thinks they look like tears of relief. Not that much relief. Just some relief. Leo feels a low beating thud in the back of his head. It’s been a long day.

As he looks down at his hands, which feel less puffy and heavy, he notices the cop’s darting looks into the rear view mirror. Leo sees the backs of the two girls heads in the passenger seat and counts five girls total.

That’s when he hears the sirens.

“Who’s after us?” Leo asks.

“It’s the police,” the cop answers. Leo detects no irony and no emotion in the response but he can tell the cop is concerned with this development.  

“What? The po— but aren’t you the police?” Leo asks, his mind racing now.

“Yeah. A different kind.” The cop says. 

“What do you mean a different kind?” Leo asks, swinging his head back to the front after looking out the back window. 

The cop is determined, now, as he reaches over to check the seatbelt of the girls in the front seat. “Let’s make sure this is tight,” the cop says with a warm smile.

The cop speaks quietly into his radio. Leo hears disconnected phrases—“a body” and “cleaned up”—and he connects the comment to Cam, instantly remembering the dead body lying in the cold dark kitchen. He’s about to ask about Cam, whom he knew for about thirty seconds, not even enough time to recognize his face if he saw him again. He recognized his body on the kitchen floor from his paunch…

“Hang on.” Says the cop. 

He jerks the wheel and Leo is pulled to the right of the car, pushing his forearm out against the window instinctively.

The cop drives the cruiser with no lights on and crosses over two lanes on the street in a downtrodden area of the city. He shoots down an alleyway between an abandoned old brick building that could be thirty or a hundred years old and a small commercial complex, one of those nondescript complexes filled with mom and pop mechanic or specialty car repair shops covering for who knows what. But even these seem like they haven’t seen much business in years. Leo instinctively looks for street signs to try to find some sense of location. But the area is so poorly lit that the one small sign he sees for the alleyway they travel down isn’t legible.

The cruiser rips down the alley. The cop makes a left turn at the end of the alley turning onto another dark street. 

Leo looks behind him. He still sees the blue and red lights. The car is still pursuing them. It’s then that he feels his phone vibrating in his pocket. He pulls it out.

Fifteen missed called. Thirty seven text messages. All from Celia. 

He quickly glides through the text messages. One of the earlier ones says, “What the hell is going on? Are you ok?”

Then another one catches his attention: “I saw everything!”


Red Lines GPS eps 4
Red Lines GPS eps 4

Leo is still looking at his phone screen reading Celia’s text message when he hears the cop speak low into his radio. The cop speeds up if that’s even possible, takes another quick left down an alley way, comes out on Main Street, hits a right, and Leo looks behind him realizing the police cruiser is no longer behind them. Then the cop takes another left and pulls into a parking lot between a small mechanic shop and a dirt hill. Leo still hears the siren but it’s becoming more distant. 

A chainlink fence covers three sides of the parking lot and as the cop drives into it and stops the car, Leo can hear a steady rush of traffic coming from somewhere. He looks up the hill and can just see the steel guardrails of the 405 freeway. 

He slides his phone back into his pocket, but not before the cop notices.  

“What the—?” The cop coughs blood and struggles to get the words out. “Did you call someone?” 

“No—I just have some messages from my girlfriend…” Leo says. 

The cop doesn’t respond because he’s distracted looking at a white, early 2010’s minivan parked in the darkness. A man steps out of the driver’s seat and shuts the door behind him. He walks around the side of the car and opens the sliding door in the side of the van. 

The cop undoes the seatbelt for the two girls in the passenger seat. 

“OK, everyone get in the van.” He looks at the girls to his right with a tight smile. “It’ll be ok. You’re safe now.” Then he looks over to the girls in the back seat and gives them the same tight smile. Leo notices just behind the smile is a pained grimace. 

The girls all hop out and make their way to the van. The driver of the van helps them in and shuts the door behind them.

“Who is that?” Leo asks, sticking his head through the opening in the plastic divide between the front and back seats. 

“You go too,” the cops says. “I’m staying behind.” Leo, for the first time sees that cop has a wound in his lower let stomach right about his hip bone. Dark blood oozes out.

“Shit. I didn’t know you were hurt that bad.” Leo says. 

“Get in the fucking van.” 

Leo watches as the van driver runs up the short hill to the freeway. He catches the glint of a mirror of a car parked right above them on the side of the freeway. The man is leaving. 

“Look, you can get in the car or you can wait here with me. That officer is only a few minutes away form finding us. They’ll have a bird in the sky looking for us in another minute…” 

Leo feels his face flush. “Wait, you’re a cop right?”

“I used to be.” 

“What does that mean? You’re wearing a uniform.” 

“None of that matters right now. The people chasing us—those officers, if you can call them that—they work for the same people as the guy you took care of earlier.” The cop says. 

“So…what…I’m fucked? Is that what you’re saying?” Leo asks, feeling his face flush.  

The cop pulls a device out of the center console and hands it to Leo, wincing as he does it. 

“It’s an encrypted GPS device,” the cop says. “Just follow the directions on the screen.” 

Leo turns the cellphone-sized device over in his hands. 

“What? I’m—I’m supposed to drive?! You’re leaving me and I’m driving those girls…? Where the fuck am I going?!” Leo asks. 

The cop gestures to the girls in the back seat of the van, all of whom are looking out the back window at the two men talking. 

“You need to go now.” The cop says.  

“Why do you need to leave?” Leo asks.

“I’m not leaving.” 

“What are you going to do then?” 

“I’m gonna delay them for as long as I can.” 

Leo looks around the parking lot. He thinks about running down the driveway and into the shadows of the alley. He looks up at the freeway. 

“You can’t run now. Only way out is to follow the plan. They’re coming for us.” The cop says. 

“What’s the plan? I don’t know what the plan is.” Leo says, getting increasingly anxious. 

“Just get those kids to the location on that device. There are people there who will take care of you. Leo, you can do this. You have to do this.” The cop says.

The cop swings his door open and steps out. He opens the drivers side back door. “Come on. Get out.” He says.

Leo shakes his head wondering how many days it’s been before remembering it’s only been a few hours. He steps out of the car. 

“I just realized I don’t even know your name,” Leo says. 

The cop walks to the trunk and pops it open. “Call me Jack.” 

He reaches in and pulls out a pistol and hands it to Leo. “Go. NOW!” 

Leo slips the GPS device into his pocket then reaches out and grabs the gun by the cold heavy barrel. Now that he knows him as Jack, Leo wonders if he has a family, friends, children. 

Jack nods and Leo walks to the van. 

“Be quick but try not to speed.” Jack says.

Leo opens the driver’s side door of the van and puts a foot up into the footwell, turning to Jack. “What the fuck does that mean?” 

Jack chuckles then winces and leans back into the trunk. As the trunk swings shut, Leo sees the shotgun in Jack’s hand. 

Leo starts the van’s engine. “Put your seatbelts on.” For some reason he’s uncomfortable making eye contact with the girls who sit quietly in their seats in the back of the three-rowed van. One of the girls helps another put her seatbelt on. Leo takes a deep breath and puts the van in drive. 


Copyright Chris McCarthy and MDA Press, 2024, Graphics by Chris McCarthy with Imagen3.

Exponential Threat, Part 2

By Chris McCarthy,

Ambassador Trong walks onto the bridge of Amanda’s ship. His attaches, Liam and Sturgis, enter with him. 

His pageant guard Maritha, walks just in front of him waving green and yellow flags wherever he is going to walk to give him the pageantry accorded to his station.

The entourage walks onto the bridge in a heightened dramatic way, stone faced and eyes not connecting with anyone. Liam and Sturgis do dramatic bows and Maritha walks around the bridge, waving her flags, as Ambassador Trong empties his pockets of the thick stack of unusable paper credits and gold statues of his predecessors. In the old days. He might have left one of these valuable statues with the ship, but inflation’s a bitch and these days the statues are just used in the ornate display of wealth and privilege that got the man into this position.

Amanda’s crew stand at attention in a line at the center of the bridge, Amanda standing directly on top of the four foot diameter Intergalactic Legion insignia, her fists up in the official pugilistic stance of a captain, the rest of the crew standing in official positions behind her, Salamander—his official title Number Two—with his arms on his hips looking up and to the right, affecting an ambitious overconfidence; Lisa, her hands on either cheek, her face locked into a silent primal scream, an affected stance all Navigation Specialists must use, the meaning lost over the centuries. Winston, the communications officer, is down on one knee, his arms out to the side as if he’s singing the final note in the final song of act two of a musical, his mouth wide open to affect a basic level understanding that his job is in communication, which typically for humans involves the mouth… ok, you get it. 

“Sup?” Suddenly, Ambassador Trong, relaxes his body and drops all formality. “What the fuck is up, Mandy?” He looks around the ship, taking in the small bridge. 

Amanda softens a bit, but keeps her official stance. Her crew behind her stay frozen but keep their eyes on her, following her cue. 

“What, you don’t want to talk to your old buddy, Edwin Trong?” He asks coyly. 

Amanda shows the beginning of an uncomfortable smile, still frozen in position. Edwin walks up and pretends to shadow box with Amanda. 

Lisa, her mouth still locked in the mock primal scream, meets Winston’s eyes below her and to the right, “Can we stop doing this now? I’m getting crow’s feet.”

Winston whispers, “We have to wait for Ambassador fuck face to say at ease…”

Trong takes in Amanda’s crew. “There’s a real ragtag underdog thing going on here. Very on-brand, Amanda. The self-sabotage is palpable… but that’s always been your thing, hasn’t it?”

He looks to his entourage who suddenly remember to laugh uproariously. Even Maritha stops waving her flags around and cracks up. 

WHOOOOSH.


Exponential Threat, Part 2
Exponential Threat, Part 2, Graphics by Chris McCarthy with Imagen3

The loud noise of a toilet distracts everyone as the automatic hatch slides open from a hallway at the back of the bridge and Chase walks onto the bridge. Trong’s retinue look over, Liam wide-eyed at the impertinence and Sturgis looking at Trong and Liam, wondering how he should react to this breach in protocol.

“Excuse me, sir, what do you think you’re doing?” Sturgis asks, a condescending lilt to his voice. “Trong is eldest son of one of the wealthiest asteroid mining families, so you will show him the respect he’s earned…”

Sturgis stops talking as Chase rips open a bag of Prathian Figs and throws one in his mouth. “These are supposed to help get you regular. Oh shit, wait, that’s prunes, right? Too bad Earth is gone and no one thought to take prune trees with them when they left.”

Then for the first time, Chase looks over at Ambassador Trong’s delegation. 

“Sorry, guys. I had to see a guy about a prairie dog back there. Right? Get it?” 

He walks over to Sturgis and wipes his hand off on his shirt then looks at it to make sure it’s clean. “Oh, I’m just fucking with you guys.” 

Sturgis’ mouth falls open. 

Amanda looks over at Chase nervously, “Dad…I mean Chase…who the hell are you doing?”  

The rest of Amanda’s crew, visibly exhausted now and wearing pained faces, look around at each other desperately as they try to hold their positions. 

Trong says, “Excuse me. You will give me the deference I have earned…” 

Maritha runs over waving her ribbon in Chase’s face—this time it’s an aggressive move. She hisses loudly at him. HISSSSSS. 

“OK, so they don’t have gum on Tumis,” Chase says. “Noted. I’ll let my smuggler friends know.” 

Chase looks at the stone-faced entourage. “I’m kidding. Come on, have a sense of humor.” 

Suddenly, a look of realization comes over Trong’s face. “Wait a minute…” says Trong. 

Maritha keeps waving the flags as she circles Chase, who doesn’t seem to notice. 

“Maritha, stop. Just please stop.” Trong says, pushing her flags away.

Maritha dances her way to the other side of the ship.

The crew, still frozen in place, look at each other as they mouth her name—Maritha.

Salamander says, “It has to be Marissa, right?”

Winston nods in agreement, “Has to be. The thhhh sound is really uncomfortable.” 

Trong walks up to Chase, excited, “You’re Chase Markley!” 

Chase throws another fig into his mouth then puts the empty sack into Liam’s pocket. “Yep, who the fuck are you and why are standing on my bridge?”

Trong steps back so Chase can see him better. “It’s Edwin Trong. You used to drive me to school when Mandy and I were in pre-academy.”

“Oh, yeah, Edwin. OK, how’s your mom doing?” 

“Oh… she’s dead.” 

“Oh really? Shit. Wow. She’s dead? Like fully dead?” Chase asks. 

“Yeah, like fully dead. Yes.” Edwin responds.  

Amanda rolls her eyes as Chase walks past Edwin over to her and the crew. “Why are you so uptight Mandy?”  

He touches her shoulder and gently shakes her and she unfreezes. 

The rest of the crew relax out of their poses. Lisa rubs her cheekbones and flexes her jaw. “It feels like I’ve been chewing gum for an hour.” 

“Gum’s illegal here. Just ask… Marissa, is it? I mean her breath could knock a buzzard off a shit wagon.” Chase says. 

Marissa looks over and hisses again but lowers her flags to her side when she notices Edwin laughing, quickly followed by Liam and Sturgis. 

Winston stands up, rubbing his knee. “Gonna need to oil this knee when we get to the outpost. Wait a minute…” 

Winston looks down surprised as his knee emits a faint blue glow.

Lisa raises her eyebrows. “What’s happening to your knee?

Winston pulls up his right sleeve and examines a small screen on his wrist. “It appears that the update included a patch to my regeneration algorithm. The nanobots in my system were reprogrammed for better efficiency.”

“Wow,” says Lisa. 

Chase looks at the crew, now relaxing back to their normal postures, except for Salamander. “Hey crew, relax. Chill. It’s just old Edwin Trong. Used to drive him to school then mow his mom’s lawn on my way back home.”

Chase shakes Salamander gently. “You can relax now.” 

Salamander wakes up, shivering. “Sorry, I went deep there.” He runs over to a corner of the bridge and taps a button. A stream of hot air comes out of a panel in the wall. “Oh yeah, that’s the stuff.” 

“Sorry, what did you say, Chase? Mow my mom’s lawn?” Edwin asks. 

Chase says, “It’s an expression.” 

“OK. That’s what I was wondering.” Edwin asks, slightly suspicious.

“I mean, I actually did mow the lawn…I did it well. Really well. Too well, maybe.” Chase says. 

“Oh. OK.” Edwin shakes off his confusion and it’s quickly replaced by excitement.

“Well, guys” Edwin says, “This is the legendary bounty hunter, Chase Markley. He brought down the Orphelian six.” 

“Seven. One of them morphed into two.” Chase says. 

Winston leans over to Salamander, and whispers, “Notice how one always morphs at the last minute. Champion stat padder, this guy.”

Sal says, “What are you talking about? Chase is a legend. Plus, he’s Amanda’s dad, so… ” 

“You’re obsessed with Amanda.” Winston counters. 

Salamander looks at her, admiringly, “She’s a good leader. Just doesn’t always know how to show it.” 

“She shoots you out the airlock every chance she gets,” Winston says.

Winston watches as Lisa walks over to Chase and puts a hand on his bicep.

Lisa says, “Chase, thanks. Finally someone did something.” 

“No problem, Lisa. Edwin’s just a family friend.” 

Amanda steps between Edwin and Chase. “So now that we’re done with all that, let’s talk about…”

Chase interrupts. He looks at Edwin, an edge to his voice. 

“So you weren’t going to at ease my very hospitable crew who were here all ready for your arrival. I mean, shit, ancient metal face over here got on one knee for you. You know how much effort that took?” Chase points at Winston. “The guy’s three hundred years old.” 

Winston glares at Chase, then looks down at his knee. He stretches it out. It feels amazing. 

Edwin puffs his chest out with pride. “Well, as you of course know, I am trade ambassador for Andolenga Outpost, a position my family has held for two hundred years. It is my duty and privilege to choose one ship a day to extract ceremonial tariff. So when I saw captain Amanda Markley’s identification come up, well, I mean, I had to stop her ship. Just for old time’s sake.” 

“For old time’s sake?” Amanda says. “I know you hate me for what I did. What do you want?” 

Chase shoots Amanda a look, “Amanda, I got this…” 

“No, Chase… I got this. Edwin, tell us our payment and we’ll be on our way. You’ve lorded yourself over me and my crew enough.” 

Edwin laughs. “Now why would I hate you Amanda?” He walks toward the front of the bridge and looks out the viewport at the blue planet that gets larger and larger as the ship approaches. 

He turns on his heels and looks back at her. “Because you came between me and my sister? Is that a reason to hate someone? I don’t know…” 

Chase tries to intercede. “Guys, let’s not get carried away here…” 

“Silence!” Edwin says. 

Liam pulls out a six inch blue light chryo-blade and waves it in front of his face, the blade humming as it slices the air. A second prior Liam seemed like nothing more than a fop courtier, but now he takes a well-practiced fighting stance.

Amanda looks around the bridge. She realizes she needs to take control. “Edwin, let’s…”

“Did you not hear what I said?!” Edwin screams. He waits a moment then looks around the bridge, everyone now silent. He sits down in the captain’s chair and picks at a hangnail. “Good. As I was saying… getting between me and my sister probably wouldn’t be enough for me to hate you. I mean, we were in academy. We were young.”

“That’s what I was thinking,” Amanda says. “Now let’s…” 

“But getting between me and my sister, whose heart you went on to break when you left her stranded after eloping with her.” Edwin says. 

Amanda takes a step back, “Uh, ok, see… what happened was…”

Edwin continues, “A heart break that quickly turned into rage for me after you told her you were breaking up with her because you had feelings for me, which was a lie…”

“It was, uh, the first thing that came to mind,” Amanda says. 

Lisa looks on and raises her eyebrows, “Wow.” 

“Yeah,” Chase says, nodding. 

Edwin continues on, “Edwina’s rage of course took our family down the pathway of internecine warfare, splitting our army into two factions, one that supported her as the successor of my family’s asteroid mines and the other, which supported me, splitting our power down the middle—and putting me in this embarrassing position as trade ambassador instead of Emperor of Planet Crassus.” 

Amanda cracks a sheepish smile. “Right. Totally. You have every right to be…” 

“Not that my sister fared any better. She fell in with a crew of Earth-wheat smugglers in the Daytona System and is now locked away in a prison half a galaxy away. Quite a fall from grace.”

“Yikes. Well…I would like to apologize…” Amanda responds. 

Edwin stands up and walks toward Amanda, “In other words, you destroyed my family, caused an internal division and power vacuum. A vacuum the Kreinalld family, our nemesis for centuries, stepped into, taking all of our power, now lording over Planet Crassus, our ancestral world.” 

Chase takes a step toward Amanda and Edwin at the center of the bridge, careful to avoid Liam’s glowing blade. “What can we do to make this right, Edwin?” 

“Make this right?” Edwin says, smiling. “Well, you’ve created the perfect scenario for me to justly kill you and your whole crew, right here on the bridge of your ship.”

Edwin nods to his right. Sturgis takes a step toward the center of the bridge and says, “You’re harboring a three month old mango-puppy, an animal blacklisted for trade. This is an infraction punishable by death on planet Tumis.”

“So, Chase and Amanda, I guess you could say you’re making this right.” Edwin says darkly.

Sturgis’ eyes turn bright green and he stares down Chase and the crew menacingly. 

Salamander walks over from the corner and stands next to Winston. “Did his eyes just change color?”

“Yeah. He’s like me. Just a later edition.” Winston says. 

“A later edition?” Salamander asks. 

“Yeah,” Winston says gulping. “He’s what we affectionately call… an armybot.”

“An armybot? As in…he’s like a full army by himself?”

Winston shakes his head, “ No. As in he murders entire armies…with his mind.”

“Oh sweet holy fuck. We’re going to die… like right now.” Salamander says, putting his hand to his neck. 

“Yep,” says Winston. He double takes as he notices a blue glow emitting from his right hand. 


Copyright Chris McCarthy and MDA Press 2024, Graphics by Chris McCarthy with Imagen3

Red Lines, Part 2

By Chris McCarthy


They met randomly at a movie theater. They had both gone alone to a Thursday midday screening of Michael Keaton’s comeback film and critical darling, Birdman. Celia was not at all fazed by going to the theater alone. She had the afternoon off and decided to go see the movie. No overthinking. No worrying about what it would be like going to the movie alone. She did it all the time. For him, it was different. He agonized over the decision. What did going to the movie in the middle of the day mean about him? Did it mean he was lazy? Unproductive? Did it make him a loser? Could he afford it? He really should be tidying up the resume and getting himself out there, but also he really deserved to relax. Once he decided that, yes, he would be seeing the movie today, or at least at this point it was a distinct possibility, he then wondered what it would feel like going alone. Would the cashier look at him strangely? Would he see anyone he knows and what would they think of him. None of this was in his control, but he thought it was in some way, which years later, he would realize was a problem and the reason for a lot of the things that went wrong in his life.

Celia had sat three seats down from Leo and, in the middle of a preview for Billy Elliot: The Musical, she leaned over and said with a half smile and a glint in her brown eyes, “I don’t think I’ll be seeing that one. I don’t do musicals in theaters. Maybe live, but not in theaters.” Leo laughed politely and said, “Same. Not my cup to tea.” They both leaned back in their seats, Celia, a hair of a moment later, after realizing the sudden lull would be a long one, as Leo repeated the phrase “Not my cup of tea” in his head a few more times, reliving each time how stupid it had felt coming out of his mouth—then Celia leaned forward and to the right, around the armrest, and asked Leo if he wanted half of her popcorn. 

She’d purchased the largest size and had the wherewithal to get a brown cardboard tray from the concessions person, as if she’d been planning from the start to share it with someone. Leo noticed the effortless way she did things for people. There was no overthinking involved. She just did it. Generosity was a part of who she was, but he also immediately knew that she never told herself she was generous or basked in it. Leo remembered thinking at the time that everything he did seemed to be done in the hope of some result. As if he was acting for an audience that would either clap for him or yell at him in approbation. Every detail and outcome considered. 

Celia moved to the seat next to him to divvy up the popcorn, then sat back, threw a handful of popcorn in her mouth and stayed there for the full movie. Walking out during the credits, Leo was amazed to hear his lips mouth the words, “Well, I owe you for the popcorn. How about dinner sometime?” He hadn’t even thought the words, hadn’t played with them in his mind a few times to get them right—they just came out. What was this amazing woman pulling out of him? The strength and confidence and comfort she gave him. He noticed her slim waist and the way her coat fit her shoulders perfectly as she turned toward him and held her hand out for his phone. 

Three days later, Leo and Celia went to dinner at one of Leo’s favorite restaurants, an Italian place called Dina’s, where the pair took over an overstuffed red booth for almost two and a half hours. Leo knew the waitstaff wasn’t rushing them to turn the table because of her—she had something about her that made people blur the rules. She was either unaware of it or at least never traded on it, which in a full circle way is why she had that way about her in the first place. 

That night at dinner the time disappeared even as Leo clung to every slippery minute. The highlight of the night was Leo’s hospital visit. When dessert came out, the waiter dropped one of the two forks on the floor and promised to bring another one right away. After three minutes of watching the desert instead of eating it, Leo went to the kitchen to ask for a fork. He ran into a busboy, who set his tub of dishes down, and quickly ran behind the steel pickup window to pull a fork out of a plastic tray. 

Three bites into the dessert, Leo started to feel a tightness in his chest. Then a tingling in his tongue and lips. His breathing became labored as red started to cloud the edges of his vision and the wooziness set in. Celia called 911 instantly. Instead of the warm August evening stroll with a possible stop at his Venice Boulevard apartment that Leo hoped for—his roommate Todd had been given instructions to shut the fuck up and stay in his room playing Call of Duty if he heard Leo come home with a companion—the date ended with Leo being rolled out on a gurney at high speed by two EMTs. He was administered epinephrine immediately and his anaphylactic shock almost immediately subsided. His breathing went back to normal and he felt the swelling around his eyes and mouth start to release. Still, his symptoms were so bad that the EMTs insisted on taking him to the ER for further observation.

Turns out the busboy had handled a plate with oysters moments before getting the fork for Leo and some shellfish oil was on his black rubber gloves. The ER doctor said it was not unusual for shellfish allergies to suddenly appear in adults in their thirties. 

From that night on, Celia kept an epipen in her purse just in case. And from that night on, Leo was in love. Celia hadn’t balked once in the way she looked at him in his utter emasculation, hadn’t betrayed a moment of embarrassment or desire to be anywhere but there, him lying on the floor barely breathing in front of their booth in his former favorite Italian restaurant, half a tiramisu spread on his chin and black button-up shirt.  

Loyalty was a big thing with Leo. 


Red Lines Ep 2
Red Lines Ep 2

Leo sits back in his seat in the back of the cruiser, his hands covering his face, not even crying but tears streaming. He takes a quick glance out the window before covering his eyes, mouth and nose again with his hands, then takes them away. He processes the reality of the situation. 

The cop catches Leo’s state in the rear view mirror. He’s been talking for a few minutes, but Leo’s only caught words and phrases. He can’t hear anything or isn’t ready to.

“What you did is help that woman and all the other people that man would have hurt should he have continued breathing.” The cop continues.

Leo takes this in and hears the voice in his head tell him this is all real. Too real. He says, “So, listen… You can just drop me off here. Anywhere. I’ll Uber home. I promise I will never say a word about any of this.” 

“I can’t do that,” the cops says, nodding his head left to right. “We need to make sure you’re one hundred percent clear of the incident. An associate of mine has already cleared the scene for any video footage, including Tesla or Ring cameras. He’s even checking the local neighborhood north of the shopping center for any lookie-loos. It’s for your benefit. Once we decide you’re clear and have planted a plausible story with our middle man who will convey it to LAPD—who will be very receptive by the way, no one’s gonna miss that fuck, death by brick is an occupational hazard for his kind—then and only then can we talk about your options.”

Leo’s head spins. 

“Options? When you said we were going to get the rest of them, what did you—?” Leo asks. 

“I have nowhere to stash you where you’ll be safe so I need to keep you close. And we need to get to the next place as soon as possible.” The cop says nothing more as he speeds the car up and changes lanes. 

Once off the freeway, they drive for another twenty minutes, winding through suburban neighborhoods and small commercial spaces in the city of Santa Ana. 

The house is at the end of Lyon street. Between the house and the backside of the power substation beyond it, sits an empty dirt lot strewn about with old clothes, a dilapidated Wolkswagen Bug, and countless trash bags. 

On one side of the street is a small Cuban restaurant that looks to be shuttered for good, a liquor store, and a low-slung flat-roofed two story apartment building with a parking lot on the street side of the building like a cheap motel. Every visible apartment window is barred. The cop pulls up to an open spot at the curb, just outside the spray of light from the lone streetlight on the dark street. It seems brazen to park just across the street Leo thinks. 

“We’re waiting on one other guy,” the cop says, emptying the final two pills from a prescription bottle into his mouth. He checks his watch and looks in the passenger side mirror. 

Seconds later, the passenger side door pops open and a short man with a paunch slides into the seat. The cop looks over then turns his chin toward the back seat.

“You just sit in the car and wait. But you see anything weird, text me. I’ll see it right here on my watch,” the cop says pointing at his wrist.

“Weird, like what? What do you mean?” Leo asks. 

“I wish I had more time to explain, but we gotta go. You’ll be fine here. Cam, you ready?” The cop asks, pulling his gun out from under the seat. 

“How long… how long are you going to be?” Leo asks. 

The man next to the cop nods and checks something in his waistband that Leo imagines is a gun. The cop opens the door and slips around to the front of the car in what seems like one fluid motion. Seconds later, the cop is creeping along the left side of the house, having stayed completely out of any splashes of light coming from the house. Leo barely saw him get there. The guy with the paunch is on the right side of the house, peeking into a window. He didn’t even hear the second man exit the vehicle. 

Then suddenly both men are gone, slipped into shadows. 

Leo stares at the house, fully alert, desperate for a noise, anything that will help him understand more about the situation and his safety. Behind the bars on the windows, Leo can see thin lace curtains—whoever is inside hasn’t been there long enough to think about covering the windows better. They’re on the move, not here for long, he understands. 

It’s seconds later that Leo sees the gunshots light up the windows—Bang Bang. Two shots. Two light flashes. He freezes, white-knuckling the armrest with one hand. What should he do? Any inkling that this is part of the plan dies when something happens on the right side of the home—Leo hadn’t noticed a door there, but his mind quickly establishes that there is an entrance from the side yard into the house, possibly into the kitchen. And it must be where Cam entered the house. Now the light from inside spills out through the open door and, through missing slats in the wooden fence, Leo sees Cam hurtling out the door and landing against several plastic trash cans, sending them flying like bowling pins. One opens up, dumping trash onto the lawn. Leo looks around the quiet street. It’s still. No one is around. 

An alarm in Leo’s head sounds: Get out of here! It’s time! He pulls on the door handle. It pulls easily but there’s no tension. It doesn’t engage. He can’t get out of the car. 

Looking out the window as he pulls on the door handle, Leo watches Cam pull himself against the side of the house. Then he sticks his head through the slats and looks directly at the car, nodding violently, trying to communicate something. What is he trying to say?

By now, Leo has moved onto the other door, the one that faces the fenced-in industrial lot to the left of the car. This door is locked too. Leo remembers something about the back doors of police cars only being opened from outside the car. Cam is nodding even more violently now and sticks an arm past his head through one of the open slats of the fence, looking like missing teeth, and gestures toward the house. Then Leo sees his body move violently, unnaturally in its prone position. He’s being dragged into the house.

Bang bang. The windows light up twice again. 

Leo’s heart pounds in his ears. Without thinking, he squeezes himself through the opening in the plastic divide between the front and back seats and lands uncomfortably with his head in the footwell of the passenger seat, his back hitting hard against the front console and the empty shotgun holder. In the footwell under the passenger seat, lodged into a plastic holder, he sees a pistol. He’s never been this close to a gun. He rights himself and slides over to the driver’s seat. From there he reaches back over and slides the gun out. He opens the driver’s side door and steps out. Halfway through closing the door, he looks through the windows and sees a man step out the front door, look left and right, then duck back inside leaving the door open. Thoughts fly through his mind as he pushes the door closed and makes himself small on the far side of the car. His breathing intensifies as he looks down at the gun and slides the safety off. A kid could do this, he thinks. 

Leo peaks an eye up through the car and sees the man has again walked back out the door and is now a few steps into the yard, looking in the direction of the car. He can’t tell if he sees the car, tucked away as it is in the darkness, then the man walks quickly over to the side yard before again surveying the dark street. 

Leo jogs away from the car, staying low behind the other cars parked along the curb of the street. He’d turn and run the opposite direction of the house, but he can’t climb a fence with the man on the lawn looking in the general direction of the car. The noise would certainly make his presence known. Leo follows the pathway of the de facto cul-de-sac toward the back of the power substation, then slips into the trash-strewn lot abutting the house. Stopping a few feet into the lot, he tucks the gun in the back of his waistband, naturally, since it seems like the only place that makes sense. All the while, sure to keep out of sight of the man on the lawn. He thinks he can climb the fence at the back of the lot and go… somewhere other than here. 

He runs through the lot, dodging trash bags and old car parts, then trips over an old tree stump, landing hard on his knees. The pain shoots through the midpoint of his shin where he made contact. He instinctively slides back to his butt and reaches both hands around the shin to assess the damage. Other than a cascade of blood and sharp pain, it’s not that bad. He steels himself to get back up and keep running, then turns to his head and looks right through an open space in the overgrown ivy on the chainlink fence separating the lot and the house next to it. 

There, less than ten feet away from him, sitting against the side of the house is the cop, the top of his black shirt soaked in red blood. At first Leo thinks he’s been shot, then he sees the blood on the cop’s chin and remembers the coughing fits. The cop tries to use the side of the house to prop himself up and stand up but slides down again. Leo realizes he’s sicker than he thought. Then Leo hears a tapping noise. His eyes dart around then land on a small window a few feet above and to the left of the cop. He sees a small hand pulling a black sheet back from the window, then he sees the top of a head and an eye. There’s a fear in the eye as the person quickly pushes the black sheet back to cover the window. It’s then that he notices the cop is looking directly at him. The cop holds Leo’s gaze for two long seconds then stands up and hobbles around the front of the house and enters the front door. 

Leo stands frozen before he makes a decision. He runs back the way he came toward the opening of the lot and, hugging the last steel fence post, swings onto the small lawn of the house and runs toward the side. He hears something faint inside of the house—two men yelling maybe. Then it’s quiet. Now crouching against the front of the house, Leo takes a step toward the front door. He notes that it’s a few inches open. 

Once inside the house, Leo pads across a small entryway of linoleum before he steps onto the too-thick carpet. It’s dark inside. He turns left and sees a cheap wooden door with a padlock on it. He quickly connects that door with the blacked out window and the fearful eye. Leo’s attention is pulled down the hall to the right when he senses a body cross into a room on the far side of the hall which he knows is the kitchen, the way you always know where the kitchen in a house is. He tucks himself up against a small alcove. He forces himself to check his breathing then peaks around the wall. All clear now, he steps out into the hallway and takes a few cautious steps down the hall. The gun is in his hand. 

When Leo gets to the dark kitchen, he trips over something and smashes into the countertop, knocking pans off the stovetop and making way too much noise. He rights himself. One of the pans is still warm to the touch. He freezes and listens—he made too much noise for nothing to happen. 

Then he looks down and realized he hadn’t tripped over a duffel bag. It’s the cop laid out face down, limp and heavy like a sack of rice near the entrance to the kitchen. On the far side of the kitchen by a door that indeed goes outside into the side yard, he sees Cam’s body, his chest bullet-ridden. He’s dead. 

It’s then that the man walks out from the shadows of the opposite corner of the kitchen, just in front of what looks to be a pantry door. It takes Leo a moment to see the shotgun pointed at him. 

The man walks toward Leo speaking in a language that sounds like Russian. Leo doesn’t need an interpreter to know that the man is spewing hateful violence. Leo holds his own gun up and points it at the man. 

Then suddenly, his hands feel thick around the joints and his arms feel heavy. Leo looks at his arm and is surprised to see he’s barely holding the gun above his hip, its barrel facing a spot on the floor well away from Russian. Then Leo falls back against the counter and slides down to the floor. He drops the gun and clutches his chest, gasping for breath. What is happening? Has he been stabbed or shot? Did it happen so fast that he didn’t hear the gun discharge?

But he searches his chest with his hands and doesn’t feel any injuries or blood. 

The man with the shotgun is surprised then smiles and scoops up the gun. He grunts something in Russian and holds the gun on Leo. Leo’s eyes start to cloud up. He sees two hazy outlines of the man as he approaches him. He holds his hands up in a weak form of defense. The man slaps his arms down and Leo can’t lift them back up even though he wants to. His heart beats in his head louder now. From the corner of his eye, he sees one of the pans he knocked off the counter earlier. Half a dozen shrimp tails dot the floor around it. Fuck. 

He hadn’t carried an epipen with him for six years. It has always been in the bottom of Celia’s purse. He thinks back on that first date then his eyes darken as the following six years with her play back in his head in three seconds. 


Copyright Chris McCarthy and MDA Press, 2024, Graphics by Chris McCarthy with Imagen3.

Exponential Threat, Part 1

by Chris McCarthy

Exponential Threat
Exponential Threat (image created with Imagen3 by Chris McCarthy )

Amanda runs onto the bridge and b-lines for the controls. Chase Markley sits low in the captain’s chair with his feet on the console, looking lazily out the glass viewport. 

“What did you do?!” Amanda asks as her eyes dance apprehensively over the data displayed on the translucent master control interface that appears as a large square in a section of the clear glass, which, with a flick of the finger can also be pulled off and turned into a twin holoscreen that a crew member can look at wherever they’re comfortable. 

Chase looks over at Amanda, his head resting in his clasped hands above his shoulders. “Huh? Oh I’d heard about the light curtains of Tumis and really wanted to see them. So I decided to move things along. Turns out they’re not that cool.”

Amanda looks out the viewport at the pink and green auroras then back at Chase, incredulous. “So you defied my orders and entered Tumis’ territorial boundary? You know how delicate this mission is, right? You understand our position in the Intergalactic Legion relies on our ability to complete this mission for Admiral Flake with no complications?” 

“Yeah, I do.” Chase kicks his muscular legs down and groans as he stands up and straightens out his back. “We’re here to find Baldrick and bring him back to Legion HQ. Easy peasy.”

“So relaxed. You narrowly avoided a death sentence for illegal smuggling four days ago!” Amanda says. 

“And got out of that trial being named your co-captain.” Chase counters. 

“Yeah, I don’t think that’s actually a true union designation. I’m gonna have Salamander look into it. But for now, I need to, you know, worry about saving us from mandatory ten year prison stints on the most fascist planet in history, because we’re carrying illegal cargo.” 

Salamander runs onto the bridge and looks over Amanda’s shoulder at the interface screen. He looks out into space then takes another look at the screen. “Um, Amanda…”

Amanda waves him off, “Not now Salamander. Adults are speaking. Or at least one is.” 

“That’s no way to talk to your father. Have some respect.” Chase says, turning around in his chair to face the inside of the bridge.

“We need to come up with a plan for when we definitely get boarded by customs for smuggling a blacklisted species…” Amanda says, breathing in and out in a controlled way, attempting to remain calm. 

“Oh. Is this about the magno-puppy?” Chase asks. 

“You knew about it?!” Amanda asks through gritted teeth. 

“Yeah, I didn’t think there was any harm in letting Lisa make extra money so she could finally quit this dead-end job and buy a pod home on Zantaria.” 

“What!? This is why you’re not fit to be a co-captain. I can’t believe you didn’t think this would be a problem. First thing I’m going to do when—if—we get out of this, is to get you decommissioned for insubordination.”

“I’m a captain, so who am I subordinate to?”

“You didn’t share crucial information about our crew with the other captain—me.” Amanda says. 

“It’s not my fault the crew isn’t comfortable talking to you about personal matters.” Chase says. 

“That’s not our job, Chase.” 

Chase turns to Amanda, sensing her deeper anger, “Let’s not be irrational.”

“The only thing irrational on this bridge is you thinking that t-shirt is flattering.” Amanda says, putting her face in her hands then brushing her hair back, composing herself. 

Chase pretends to brush off the comment, but looks quickly at his shirt and the thickness just above his waistline. He sucks in his stomach.

“Amanda!” Salamander yells. 

“What, Sal? Spit it out!” Amanda yells back.

“We have company.” Salamander gestures at the display then with his thumb and index finger expands the space it takes up on the glass viewport to twice the size. 

Amanda and Chase both look at the screen. It’s a clear image of an approaching vessel. 

“Oh, shit. We’re getting boarded.” Amanda sits down in the captain’s chair. 

Winston and Lisa run onto the bridge just as another alert TRILLS briefly followed by a computer generated woman’s voice this time. Red lights flash on the deck. Ship approaching. Preparing life support systems for additional boarding of five persons.

Amanda looks through the glass then at Salamander. “Five persons? Wait, is that…?” 

Salamander puts his hand to his chin. “Oh, this isn’t good.” 

Lisa squints her eyes. That looks like an ambassador’s seal.” 

“Why would such a high level ship be interested in us?” Amanda asks the bridge in general. “They could have just sent a customs droid ship. I don’t…”

She’s cut off by the soothing female computer voice saying, “More data collected. The ship is the official vessel of his excellency Ambassador Edwin Trong. Prepare for an official boarding.”

They all look out the glass viewport. Coming into view is a small green ship with yellow lines on each side. 

Lisa leans agains the glass viewport. “An official boarding? Ugh. Those are the worst.”

Amanda turns from the viewport. “Does anyone even remember how to do those? Winston, look up the protocol. It hasn’t changed in a hundred years so even you should be able to handle the task.” 

“On it,” says Winston, “thanks for having faith in me.” Winston sits down at his console, then winces as he catches the sarcasm in Amanda’s comment. He puts one hand to his temple, leans back and closes his eyes, then thinks better of it. He looks over at the neural dock headpiece attached to his console to his left. He wipes off some dust and attaches it to the left side of his head, blue and red lights indicating the system has engaged.

“Wait a minute…Edwin Trong?” Amanda looks to the handplant device on her wrist. Photos of a nerdy thirteen year old boy pop up. She slides to one of the same boy, just a bit older. She slides through a few more images. “Shit, I went to school with Edwin Trong.”

“Then, maybe he’ll let us off without the mandatory ten-year prison sentence for smuggling,” Salamander says. This is a good thing.”

“No, Salamander,” says Amanda, “This is not a good thing. We were supposed to go to the Neon Gala together in year eleven, but…”

Chase looks over, “You went with that pretty girl with the bangs. What was her name?”

“Her name was… Edwina. Edwin’s sister.” 

“Oh, that’s right! I forgot about the carnage that cost him and his family—Amanda, you’re a true Markley.” Chase says, as the realization of what this scarring betrayal could mean. “Oh shit.” 

“Yeah, oh shit.” Amanda says wryly.

“Oh fuck us,” Salamander says, leaning down on his knees catching his breath. 

Winston stands up suddenly, a marked change in his confidence. “Ok, I downloaded the protocols. Amanda, you need to stand right at the center of the Intergalactic Legion Seal. Let’s go.” 

Lisa looks surprised, noticing the neural dock in Winston’s hand. “Wait, did you just do a system update?” 

Winston’s eyes cut into her, a new power behind his eyes, which now blaze a bright green. “Yeah. I’m fully updated. I figured, what’s the point of me halting my growth? What am I waiting for? Plus, now I know kung fu.”

Chase looks over, “Great line!”

Lisa’s eyes rest on Winston for another moment before she lets out an anxious breath out and looks out the viewport at the approaching ship.

“That’s a joke.” Winston smiles, then says to himself: “I have a sense of humor now!” Winston shuffles on the balls of his feet, his hands up in mock fighting position.

Salamander walks to the backside of the bridge. “I think I remember my official posture. It’s been a while but I think I stand about here. Standing frozen like a status is sort of in the DNA.”

Amanda hesitates but Winston grabs her gently by the shoulder and steers her toward the seal at the center of the bridge. “Over here, Amanda.” She follows him, surprised at his new confidence. 

Amanda follows his lead. “OK, everyone, do exactly as Winston says. If we perform our ceremonial receiving ritual perfectly, we might be able to buy enough time to…” 

“To what?” Chase asks. 

“I don’t know, I don’t know — we’ll be able to buy ourselves some more time. That’s all I have for now. I need time to think.” Amanda says. 

Winston claps his hands, “OK, everyone else, follow Salamander’s lead and line up behind Amanda. Lisa, come on. You too, hotshot.” He says talking to Chase. 

Chase lifts his eyebrows. 

“We have three minutes, guys. Let’s go!” Winston says, suddenly all business

——Three minutes later

Ambassador Trong walks onto the bridge wearing official satin robes of green and yellow. His attaches, Liam and Sturgis, enter behind him in a heightened dramatic way, stone faced, their eyes not connecting with anyone. A woman named Maritha, his pageant guard, walks just in front of the ambassador waving a green and yellow flag wherever he is about to walk to give him the pageantry he deserves.

Finally, after taking in the bridge for a few brief moments, Trong deigns to look in the direction of Amanda and her crew, who stand in the center of the bridge, all adopting the official postures of their rank and place. 

Captain Amanda Markley. It’s been a long time since the Perihelion Academy.” Trong says. 

Amanda stands stone-faced and empty-eyed, like the rest of her crew. Save for Chase, who is no longer on the bridge. 

——

End Part 1

Copyright Chris McCarthy 2024, Graphics by Chris McCarthy with Imagen3.

Red Lines, Part 1

By Chris McCarthy


The cop in the front seat was coughing. A guttural sickly cough, the kind that gives you pause. Leo had no idea what was going on. He looked through the windows, he wasn’t even belted in the back of the car, much less cuffed. He wasn’t a prisoner. His mind was finally ready to start processing how he got there, where they were going and what was going to happen when they got there. In his gut he sort of already knew. 

Another rough coughing fit, then the cop leaned over and searched with his free hand under the passenger seat. He pulled out a small square microfiber gun cloth and, still looking out the windshield with his deeply bloodshot eyes, handed it over the seat back to Leo. 

Leo looked up, confused, and locked eyes with the cop in the rearview mirror. 

“For the blood,” the cop said before looking away to make a quick lane change to get onto the 405 freeway heading south.

Leo looked down at his hands and saw the fresh red blood on the knuckles of his left hand. Most of it wasn’t his. The pain set in as the shock wore off. 

——Ninety Minutes Earlier

The two women were deeply concerned. Well, the one was. Her son, Adam, is sixteen years old, and has a lot of friends at the nearby high school. He’s not necessarily a heartthrob, but he does ok. OK enough that he has things to do other than attend class. Things that, yes, sometimes involve girls. The mother of the boy wanted this in the conversation, as if she pulled it out as an imaginary item and sat it on the table for the two of them of them to consider. The one woman who wasn’t as deeply concerned said she thought if Adam could get in this summer at one of the chemistry labs nearby for an internship, he might be able to hold that internship the following year and it will look good as a long term “extracurricular” on his college applications. The concern of the mother was palpable and she was clearly paying the slightly less concerned woman for this advice. 

It wasn’t the first time Leo had heard this conversation. This was Manhattan Beach, one of the richest enclaves in Los Angeles. The mother was telegraphing Torrance or Redondo Beach, which meant that she would fight even more for the things the people in her community deemed were the steps to a good life. The people just outside of the circle were the ones with the sharpest claws. Leo could relate. He’d always just been right outside of everything, an observer, close enough to the warmth to have the capacity to miss it. He’d overheard similar conversations recently. These education consultants who billed $200 a session and could supposedly plan your teenager’s (sometimes the planning started sooner) path to college—a UC and possibly a minor Ivy League school or respected school like University of Michigan. Fuck, even Long Beach State was starting to get hard to get into. 

As Leo sat in the expensive coffee shop just off a busy street in Los Angeles, frustrated with his script he looked out into the parking lot, staring at the late model silver Honda Civic, a car about as exciting as the backside of a thumb. And admittedly, like a thumb: useful, practical and allowing for all kinds of possibilities, but really fucking boring. He knew he was being particularly harsh to the make and model of car because its owner was fucking the girl he loved. Or used to love. Or… It was confusing. The uncomfortable thought that he didn’t really understand his true feelings and probably needed to spend more time untangling them and examining them in greater detail bubbled up, but he pushed it away just as quickly. 

Asher, the guy fucking Leo’s girlfriend—ok, ex-girlfriend, Leo would allow—worked at a soulless Citibank branch on the westernmost side of the shopping center, just off the perpetually busy westside LA artery Sepulveda Boulevard, which just a few miles down the road in either direction was known by its more famous name, Pacific Coast Highway. Leo’s table faced the front of the coffee shop with its ceiling to floor windows, giving him an unobstructed view of the bank’s employee parking lot. 

Leo had been coming to the coffee shop every morning for a week. The day Celia left him, which was sixteen days after they had signed a lease on a two bedroom apartment in Torrance, and twelve days after delivery of a new dresser and new bed, still in the boxes, Leo found a wet and bent business card in the bathroom trashcan underneath the bag, grimy and stuck to the side. Leo noted that a cell phone number was written in blue ink on the card—this was something beyond a business card hand-off. He flashed to a vision of Celia in the bathroom, the door locked, smiling breathlessly as she sent an illicit text message to the person possessing the name on the business card: Asher Williams, Citibank Location 103 Branch Manager. 

Celia had told Leo she was staying at her friend’s apartment in Pasadena, a white lie so easily debunked that her lack of effort in covering her tracks hurt him to his bones. 

He felt another similar pain, this one was in his chest for some reason, as he sat in the coffee shop looking out the window, the still powerful heat of the sun on the mid-November day warming his face. Not that he felt it.  He felt… nothing, maybe. That felt dramatic to think. But it also felt accurate, he thought as he watched a crow inspect a discarded Fat Burger wrapper in the parking lot before flying away…

When out of nowhere Celia walked up to the car… Leo wasn’t sure if his mouth dropped open. The look on her face. The way she walked, head up high, already wearing a half-smile in excitement. It was a punch in the gut. Seeing her so… happy. 

A moment later, Asher walked out the front of the bank towards the car. They embraced and kissed then walked over to Chipotle. A cheeky little lunch date—a bank manager and a paralegal. How fucking cute. Maybe the kid will go to Long Beach State.

It’s the ease of the hug, the kiss, the holding hands, the opening of the door for her that hit him like a splash of ice cold water to the face. The familiarity. Leo considered himself a student of human nature, often finding himself at a library in the middle of the day reading some new book on anthropology or social sciences, so…

How long has this been going on? He asked himself or rather tortured himself with the question. 

Much longer than she admitted. Why she had destroyed him, lied to him, he had no idea. Couldn’t pinpoint one thing. Sure, they had had problems. His career hadn’t taken off the way he thought it would with his talent. And, sure, he had been fired almost exactly a year ago, but the guy who fired him was an asshole with an axe to grind who didn’t understand what marketing really is, the nuance of it, the time it takes… No, none of it was Leo’s fault. He could hang his hat on that. Besides, Leo was an artist. This was an extended rough patch. A rough patch with no sex for the last six months. How long had she been with this guy? Suddenly, moments where Celia avoided Leo’s touch flashed in his memory and he desperately tried to reach out to dates on an invisible calendar in his mind.  

Leo was reminded of the paranoia of the Bill Withers song Who is He (and what is he to you?) where the listener is in the POV of a man walking with his girlfriend as they pass someone who is more than just a passerby to the woman. 

Leo waited for thirty eight minutes, and they finally came out of the restaurant. In a quick fluid movement, Celia got up on her tiptoes and kissed Asher. Leo watched her familiar walk then lost her as she passed around the side of building to the west side of the parking lot, presumably to her car. 

Leo looked at his untouched six dollar iced Americano with oat milk sweating in the sun and felt a heat in his face. He was frozen in place. A melting piece of ice shifted in the drink. Leo stood up and grabbed his backpack, a prop he hadn’t opened once today, and walked out the door. But it was too late to get to Celia, besides suddenly he felt smaller than he was sad, and what would he do anyway, so he hid his face and walked back toward the coffee shop. It was then he realized Asher has walked behind him toward the opposite side of the building away from Celia. The smaller less traveled east side of the parking lot where a hardly used side door of the coffee shop opens to another back door to the high class gym next door that some patrons run out of during the presumed cardio section of some workout. But most of the time, no one used this side of the parking lot, so it was empty. 

“Yeah babe, I had a meeting during lunch,” Asher said into the phone. Leo heard this clearly. “We still on for tonight?” Asher turned the corner and Leo made a quick decision. He didn’t know what it meant but he was excited—it was a good feeling to be distracted by right then. He darted back into the coffee shop instead of following Asher around the side of the building and being obvious about it. He walked to the bathroom at the back of the shop, his eyes already on the side door that exits to the side parking lot. 

Leo popped out of the side door and descended the three concrete steps, pretending to look into his phone. Asher was puffing on a lit cigarette leaning against the gym as he spoke into his phone, his back to Leo. Who smokes in 2024? This fucking guy who is clearly seeing another woman—she chose this guy over me? Leo tucked his phone back into his pocket and looked up again and saw Asher’s head back around the building to the front parking lot, his cigarette still smoking on the asphalt. Leo takes a step forward then stops himself, suspended directionless but now seething, his pulse beating in his ears.

Then SMAAASH! 


Red Lines Cover
Red Lines Cover by Sara McCarthy

Leo looked over to the back of the building. He heard the sound of crunching plastic as a green beat-up late 90’s Eclipse slammed into the three foot tall steel yellow barrier that bends around the building toward the back of the coffee shop. The building that today held the coffee shop, a nail salon, and a tailor shop, at one point was a Circuit City where trucks would snake around the back and drop off large items, hence the industrial grade protective steel barriers, which probably only survived to this day because they weren’t noticeable from the current day business side of the building and would be expensive to remove. 

Leo watched, stunned, as the car rolled back from the yellow steel barrier it had just hit, a low speed collision that made no sense, yellow paint now caked on its front bumper. Independent of the crash, the car was in terrible condition. The hood was painted a different shade of green than the rest of the car, rust seeped through all over so much so that the tail gate looked like it would disintegrate with the flick of a finger.  

He watched as the driver leaned his head down a bit, gathered himself after perhaps knocking his head on the steering wheel or on the drivers side door window. Leo looked around but no one else was around to share in the strangeness of the moment. The driver looked to be in his fifties with a weathered and worn face. He wore a cruel expression that Leo understood to be his default look. It was a face that sets off alarm bells in your gut and instinctively makes you turn away. 

Then the passenger door swung open and the woman jumped out of the car. She wore purple Uggs, off-brand high rise athletic shorts, and a dirty yellow men’s hoodie that slid down off one shoulder. None of it fit well. Leo caught the first look of her face as she ran toward the back of the car, tripped on her boot and fell backward, landing behind the bumper of the car. She had streaked eye-liner on her face, behind which Leo could see clear acne scars. She possessed wide, intelligent eyes that looked like they had once been kind and open to the world but were now fixed into tight small daggers for self preservation. Hers was a face that radiated neglect. 

The man, in full control, opened his door and exited toward the back of the car. He threw his hands up into the air violently. 

“Get in the fucking car, bitch.”

On the ground, she slid herself away from him with her feet as she simultaneously tried to pick herself up. 

“No. No. Let me go, you psycho!” 

The woman quickly got to her feet and ran away toward a small section of dirt behind the side parking lot and the small street behind it. That’s when he looked right at Leo. 

“What are you looking at, buddy?”

Something about the word buddy stopped Leo from listening to the alarm bells and running in the opposite direction. And he couldn’t shake the look of fear on the woman’s face. So, instead, he surprised himself and took a step closer. 

Leo noticed his shaking voice start to get more steady. “What are you doing with this woman?”

The man considered Leo for another moment then turned to run after the woman. He caught up to her with ease and grabbed her by the arm, viciously turning her toward him. He walked her toward the car as she tried to use her body weight to pull herself way from him. 

She screamed, “Get the fuck off of me.”  

Leo looked around for help then said, “Let her go. What is this? What are you doing?”

“Stay the fuck back,” the man yelled. But Leo hadn’t move forward. 

But now he felt himself move forward. And with this one step, there was a clarity.

As the man shoved the woman into the passenger side of the car and elbowed her in the face for good measure, Leo found himself walking around the backside of the car. 

The man trained his eyes on Leo and slowly turned toward him, his open mouth and sharply-turned neck telegraphing his surprise.

“You don’t want to get involved bro. I’ll fuck you up.” 

“Let me out,” the woman yelled.

The man slammed the car door and pointed at her. 

“Stay the fuck inside the car,” he said.

Then all was silent. She gave up. The whole episode could have been over. Swept under the rug, no repercussions. The man turned toward Leo. 

As he took a step towards Leo, his face became more clear. He wasn’t in his fifties. He looked to be more like early forties but with a pock-marked overly tanned face, and a scar running deep over his right eyebrow down just past the top of his cheekbone. A faded neck tattoo peaked up above his shirt line. 

Leo’s eyes darted to the woman in the car. Through the tinted window he could see she had her head in her hands, crying and defeated. 

The man got another step closer. Leo knew he should run. And that’s when he felt the brick in his hand. 

——

Sitting in the back of the police car, Leo saw PCH differently than he’d ever seen it before. The spaces between buildings, the dumpster-filled alleys all came into stark focus. The small little lawless sections of this upscale area and every area.

“Is that guy…?” Leo asked.

“What do you think, man?” The cop asked, almost chuckling. 

The cop then leaned over and said something quietly into the radio in his right hand, an action that caught Leo’s rapt attention.

“What are you…”

“It’s not about you.” The cop’s whole body shuddered as he again coughed into his hand, which still awkwardly clutched the radio receiver. 

Leo asked, “Where are we going?” 

“We’re taking a short trip.”

Leo looked down at his hands. 

“Can you just drop me off here?”

The cop laughed hard until he coughed again. This time Leo noticed there was blood. 

“OK, so where are we going?”

“To get the rest of them.”

“The rest of them?” 

“Let’s listen to some music. You like rap?” 

The cops turned the radio up. Big X The Plug’s clogged-throat and lispy boasts in the song MmmHmm filled the car as Leo takes a deep breath and leans back in his seat.

——


Next Episode:  Leo and the cop drive to Santa Ana to find the safe house where they have intel that other victims are imprisoned. They learn that a ship has left from San Pedro that evening, but at the house, find evidence linking this Russian gang with the kidnapping of the cop’s daughter. The house is under close surveillance, so Leo and the cop’s journey back up the freeway isn’t a solo one.

Copyright Chris McCarthy and MDA Press 2024, Graphic by Sara McCarthy Designs

Chop Wood Carry Water by R. A. White

R. A. White is the author of Chop Wood Carry Water and Superluminal.  He often writes under the pseudonym R. W. Frost.  Here is his IMDB page.  He is a lecturer in the theater arts program at UCLA, and the director of the Toni Martini Variety Hour.

Chop Wood Carry Water on Amazon

Chop Wood Carry Water on Amazon.com

Chop Wood Carry Water is now available on Amazon.com. Please select the link Chop Wood Carry Water.